![]() A drying time in a dust-free environment of 1 to 2 weeks is necessary depending on the size and type of paper.Ī canvas margin of 3 to 5 cm is kept to protect the perimeter of the poster.Īll our linenbackings are made with neutral materials that stabilize the acidity of the poster. The poster is thus kept at a neutral ph and acid-free to stabilize its colours and protect it from oxidation (yellowing of the paper). A sheet of acid-free paper (Canson) is placed in between. The still wet poster is applied to a linen or cotton canvas (Canvas) using a starch solution. Then they are washed with clear water in large basins to refresh the colours and remove paper tension. The posters are first dry-dusted with gum powder and a brush. The linenbacking protects the poster from possible damage and gives the paper a structure that gives it an optimal hold in its frame.Ĭalls on the best specialists in this particular technique, whose know-how and experience is recognised by amateurs and collectors all over the world. An original old poster should be preserved as well as possible in time and be easily framed.īrings to each poster a long, delicate and expensive paper conservation treatment called "linenbacking". Except for exceptional documents (historical or cultural) requiring extensive restoration, does not sell posters in this condition.Īn old poster is originally rolled up or held flat. Poster torn into several pieces, often with significant gaps and severe discoloration. The condition of the poster is below average, with a multiplication of defects (missing, discoloured, scotch, damaged edges), but remains very presentable. These defects have been often corrected during the restoration process, followed by washing and mounting.įair condition : "C" (suitable condition). The visual is clean but has more pronounced defects than those of the previous conditions, sometimes with traces of moisture or yellowing of the paper. Good condition : also known as "condition B". ![]() The condition of the poster is close to "excellent condition" but with some additional defects such as slight tears or more pronounced folds. Only minor defects are accepted, such as pinholes or slight discoloration on older objects. The poster has no major flaws and is not missing anything. The condition of the poster is above average even if it shows slight traces of use. This condition generally applies to the most recent posters.Įxcellent condition : also called "condition A" or "near mint". The poster has been handled but never used and has been carefully stored. Please find below the different conditions of the posters proposed by New : "mint". If a poster is appreciated for its rarity, subject, signature or age and sometimes its size, it is also appreciated by its condition, which is an important component of its value. Antonio Cerutti (aka the divisional commissioner Stanislas Borowitz) But the corrupt police inspectors Rey and Massard, on the pay of Volfoni, absolutely want to harm him. Sent to Nice to struggle against the Mafia and enquire on a murder of a notoriously corrupt commissioner, he changes his identity into a thug named Antonio Cerruti to trigger a gang war between the two biggest local sponsors, Théodore Musard ("l'Auvergnat") and Achille Volfoni ("le Corse"), and discovers a police organization with the mafia of the town. Stanislas Borowitz is a divisional commissioner from the IGPN ( Inspection Générale de la Police Nationale) who uses particularly expeditious methods to counteract the "ripoux" (French term for "corrupt cops"). It's loosely based on the novel L'Inspecteur de la mer by Michel Grisolia. Cop or Hood ( French: Flic ou voyou) is a 1979 French crime and action film directed by Georges Lautner.
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